The Dancing Forest
14 Feb, 2026
The Dancing Forest is a long-term photographic project that began in 2019, after the birth of my daughter and my family’s move from Copenhagen to the remote village of Onsevig in southern Denmark. In this isolated landscape, the rhythms of nature became entwined with the transformations of early parenthood — the seasons, storms, tides, and forest echoing the emotional and physical changes of our lives. Through intimate portraits and observations of the environment, the project explores the fragile interdependency between family, body, and landscape. It reflects on how we change as we nurture others and how nature becomes both witness and teacher in this process. Love, protection, growth, fear — these forces shape the narrative like the shifting currents of the sea around us. The backdrop of climate change and environmental strain is woven silently into the work, as rising sea levels, soil depletion, and industrial fish farming reshape rural coastal life. The Dancing Forest questions how the fragility of a family can be understood without acknowledging the fragility of the world that sustains it. Structured as a flow of consciousness, the project offers both a personal family record and a universal meditation on belonging, vulnerability, and life’s unstoppable movement.
When I was a teenager, I started taking pictures of my everyday life in Verona. I felt what photography means to me - both as a viewer and as the one being looked at. The image became a way for me to express my feelings in a strongly conservative society, where I grew up alone with a mentally ill mother. At the age of 20, I moved to Copenhagen to study at Fatamorgana - the Danish School of Documentary and Art Photography - where I was inspired to change focus from the physical self-portrait to expressing my feelings in interaction with the people I photographed. I mirrored myself in others, and I tried to give their lives a place in my world. Photography became my language and my special connection to my surroundings and the people I photographed. Since my trip, Russia has invaded Ukraine. I have become a mother. The two events are in stark contrast to each other; one represents death and destruction, while the other deals with love and life. I see that the love I feel for my family is also present in the pictures of my fellow Russians. The more cruel the world seem, the greater our need to encounter and reencounter the presence and passion for life that my images aspire to capture