Presence
15 Feb, 2026
« On August 29, 1523, Margherita—known as Madregna—was accused of witchcraft. Tortured with rope, she confessed to practicing sorcery and was condemned to burn at the stake. Her property was redistributed according to Inquisitorial customs. Centuries later, her voice still resonates.Between the fifteenth and eighteenth centuries, fear and superstition spread across Europe, fueling the systematic persecutions now known as the witch hunts. These were not isolated outbreaks of hysteria, but sustained campaigns rooted in political, religious, and social control. The primary targets were women—midwives, healers, widows, the poor, and those who defied the roles imposed upon them.Folk rituals, knowledge of plants, even physical difference could be cited as proof of a pact with the devil. “Witchcraft” became the name assigned to female autonomy.Their executions—by fire, hanging, or torture—were staged as public warnings. Fear had to be made visible.The logic of punishment has not disappeared. Femicide is the brutal echo of those flames. Women continue to be burned—symbolically and, at times, literally—for refusing submission. They are killed by partners, former partners, and family members. The methods have changed; the underlying violence has not.This is not only history. It is inheritance. »
"My name is Alessandro Silverj, and I am a photographer born in Rome. My education encompasses the realms of classical literature and philosophy, subjects that have contributed to shaping my sensibility over the years. It is within this journey that I glimpsed and embraced photography, a means of expression and exploration that has become the pulsating heart of my creativity. The fusion between different analog techniques characterizes my work, which stands out for its deep and authentic autobiographical dimension. This creative journey, often extended over time and embraced for years, constitutes the guiding thread that links the different phases of my life. Photography plays for me the role of a mirror of interiority, revealing deep and hidden truths of my inner world. The images act as a bridge between tangible reality and the most elusive nuances of my experiences, capturing thoughts and feelings that spontaneously emerge during the shooting process. Each photograph thus becomes a means of introspection, a tool that allows me to courageously confront my inner demons and the most concealed fears."