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Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Photographer
Visvaldas Morkevicius
Portraitzine. Issue Remigijus
Gomma Photography Grant 2019 Finalists

Gomma Photography Grant 2019

Portraitzine. Issue Remigijus

Photographer

Visvaldas Morkevicius

Portraitzine. Issue Remigijus

02 Feb, 2022

Portraitzine as a collection of “journeys.” A journey is understood as a metaphor that gives a base for this project, defined by such parameters as a choice of a destination (a photographic subject), documentation of displacement (a photographe), and a curated collection of entries (a publication). It aims to relay the experience of undiscovered, often exotic environments and their denizens. Meticulously looking for details that could outline their identities, the research glances over the quotidian surroundings and gazes at postures that characters take in front of the camera: an artificial observer put in between the photographer and his subject. The photographer, by no means assumed as being in a superior position, accepts the role of “a tourist” who collects memorabilia and ephemera through observation. In Portraitzine, these ‘souvenirs’ speak not about a country or a city, but about people, their living and creative environments and their daily. Thus the focus point considers the person in a photographic frame altogether with his / her environs, emotional condition, personal qualities and temper, some of which have yet to be deciphered. The route is planned carefully, or happens by an accident like an irresistible ‘last minute’ call. Portraying people in an ethnographic manner, I take up the project as a form of a journey, and present its outcomes in a visual logbook format - Portraitzine publication.

About the photographer

Visvaldas Morkevicius

Visvaldas Morkevičius (b.1990) is a Lithuanian artist who uses photographic medium to widely explore portraiture. He, in his own terms, “collects realities” by observing the daily surroundings of his subjects, uses self-analysis in order to look into the possibilities of self-portraits. By using diverse Low-Fi and Hi-Fi aesthetics working with materials from classical analog photography, to modern digital tools, V. Morkevičius manipulates the sense of time in his works and its perception.Works by Visvaldas Morkevičius have been exhibited in solo and group exhibitions around Europe, are held in museum and private art collections such as MO Museum, Lewben Art Foundation, SEB Bank Art Collection.Collaborated with: L'UOMO Vogue, Dazed digital, i-D online, NEON magazin, Nido, About wear, "Let it Go", secretthirteen.org, Granvat, Stroom records and others.