Life-Lines Throughout the United States
15 Feb, 2026
« Over the past several years, I have documented the socioeconomic relationship to technology in the United States. In this body of work, I focus on payphones—whether still functional or existing only as remnants and social markers within communities experiencing decline. Too often, outdated technology and architecture are used to label and stereotype neighborhoods that are simply misunderstood or under-resourced.The project has been exhibited in museums, galleries, storefronts, magazines such as Bloomberg Businessweek, and in outdoor installations. My goal is to raise awareness about the technology gap—not only among those who frequent cultural institutions, but across broader communities. Expanding how and where the work is shown is essential to initiating dialogue among people of all backgrounds, regardless of race or class.The project has since evolved into a community initiative in Rochester, New York. We are reviving payphones by converting them into free public communication devices using VoIP technology, calling them “Good Phones.” These phones are installed in homeless shelters, advocacy centers, and other community-based spaces. Through this work, I came to understand how technological progress often leaves many individuals behind—and I realized I needed to become part of the solution. »
Eric T. Kunsman (b. 1975) was born in Bethlehem, Pennsylvania, and is a photographer and book artist based in Rochester, New York. He is an Assistant Professor in the Visual Communications Studies Department at the National Technical Institute for the Deaf (RIT) and an adjunct professor in the School of Photographic Arts & Sciences. He also owns Booksmart Studio, a collaborative fine art digital printing studio serving photographers and book artists.Kunsman is the recipient of the 2025 CENTER Santa Fe Callanan Excellence in Teaching Award, the 2025 Center for Photographic Art Grant (Juror’s Choice), and the 2024 JGS Fellowship for Photography from the New York Foundation for the Arts. His accolades also include the Association of Photographers (UK) Gold Award (2019) and multiple LensCulture and Critical Mass recognitions.His project Felicific Calculus received a Warhol Foundation Grant through CEPA Gallery. He has held over 40 solo exhibitions, exhibited in more than 250 galleries and museums internationally, and has been featured in publications including Harper’s Magazine, Bloomberg Businessweek, LensWork, and The Washington Post.