I do not want to become my Mother.
14 Feb, 2026
«My project “I do not want to become my mother” is a deeply personal exploration of my complexrelationship with my mom, shaped by the societal expectations and limitations placed on women inmy culture which was largely based on toxic patriarchy. Growing up in apartheid-era South Africa,she was expected to prioritise her role as a mother and caregiver, suppressing her own artisticaspirations and political views. Being a child, I was oblivious of the turmoil our country was goingthrough at the time. As I grew older, I began to see the toll this took on her, and from a young age Iwitnessed it all culminating in a debilitating depression that made me fear I’d follow a similar path.I realised that what happens between mothers and daughters is often a reflection of the broadersocietal context – the way women are valued, the roles they’re expected to fulfil, and the dreamsthey’re discouraged from pursuing. My mother was expected to carry this generational trauma, andoften she was made to feel silenced, she simply had to acquiesce to what was expected of her, andso this was my role model as well. We spend our childhood watching our moms, soaking in howshe thinks, how she feels, how she behaves and does things, and particularly how she feels aboutherself. Through this project, I’m trying to understand my mom’s experiences, and my own, byreimagining memories and exploring our relationship through archival family photos andperformative self-portraiture. The archival images depict a sense of normalcy, when things were farfrom normal. By working with my mom and involving her in the process, I’m slowly uncoveringthe complexities of our bond and the ways in which our experiences are intertwined.«
Stefanie studied at the National College of Photography in Pretoria, where she graduated with a joint best portfolio award, (2004). After her studies, she started a commercial photography studio and was represented by Shine Photographers Johannesburg. In 2008, Stefanie moved to the UK where she studied for a diploma in Transpersonal Integrative Psychotherapy at the Centre for Counseling and Psychotherapy Education in London, (2009 – 2013). In June 2015 Stefanie returned to South Africa. She has been a full-time artist since 2015. In 2022 she was awarded as one of the winners of The British Journal of Photography’s Female in focus awards. In 2023 she was awarded as a finalist in the Lensculture Black and White awards, a winner in the Lensculture Art photography awards 2024, and a Juror's Pick in the Lensculture Portrait Awards 2025. She has also been shortlisted for British Journal of Photography Portrait of Humanity Vol 6, and as a finalist in BBA Prizes, where her work was exhibited at Kuhlhaus, Berlin, and she was a selected artist for BA for Photography at Swansea College of art for their international Soft Cover open call. Her work was exhibited at Stiwdio Grifffith Gallery. Her work has been Published in the book Eye Mama: Poetic Truths of Home and Motherhood by Karni Arieli (foreword by Allesia Glaviano) and featured in: The Guardian; British Journal of Photography; Seezeen Magazine; Brenda Magazine; Hashtagphotomag; Unvael Journal; Oath Journal; Korper Magazine; Accumen Magazine; FotoFemme United etc. She has been exhibited all around South Africa as well as in London, UK; Paris, France; Uslan, South Korea; Miami, and in New York, USA.