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Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Photographer
Steven Harwick
Bound Leather
Gomma Photography Grant 2025 Finalists

Gomma Photography Grant 2025

Bound Leather

Photographer

Steven Harwick

Bound Leather

14 Feb, 2026

Bound Leather is an ongoing photographic series and self-published project by Steven Harwick that explores the aesthetics, mythology, and social codes of American leather and fetish culture. Through a combination of staged and documentary portraiture, the work examines leather’s evolution as both an emblem of masculine toughness and a subversive language of desire, rebellion, and identity. Drawing on the visual legacies of postwar biker iconography, underground queer imagery, and mid-century Americana, Bound Leather situates its subjects within a lineage that bridges working-class labor, erotic performance, and fashion.Harwick approaches the project as both observer and participant, using the camera as a tool for anthropological inquiry and emotional intimacy. His portraits emphasize the materiality of leather—the sheen, weight, and ritual of dressing—as a form of coded communication and self-definition. Rooted in traditions of self-publishing and zine culture, Bound Leatherfunctions as a tactile archive: a study of contemporary subcultural identity and its intersections with performance, power, and desire in post-industrial America.

About the photographer

Steven Harwick

Steven Harwick is a multidisciplinary artist living in Brooklyn, NY. His practice utilizes photography, video, installation, sculpture, and collage to highlight identity, obsession, subversions, and perversions. His self-published zine, Bound Leather, demonstrates the central focus of his project work: to pull from cultural history and traditional fetish imagery while simultaneously subverting those standards by showcasing an array of people systematically excluded from the long-established canon. Originally started as a means of exploring and documenting the contemporary leather and BDSM communities through a photographic lens, the publication has grown in scope and scale over time. Harwick has exhibited domestically and internationally, as well as selling out the first two editions of his monograph. He holds a BFA from Pratt Institute.