An Unfinished House Has Many Views

This series reflects on the challenging process of securing a home—a safe space in a world shaped by rising rents and accelerating gentrification. It unfolds as a long-term exploration, shaped as much by memory and emotion as by bricks and beams.Drawing on childhood memories of his parents building their family home, along with stories from relatives who endured the hardships of post-dictatorship Greece, the photographer considers home not as a fixed destination, but as an ongoing negotiation—one that is personal, political, and deeply material.Several images adopt the explanatory visual language of a manual from a large furniture retailer—except here, the manual is broken. Rather than presenting polished visions of completion, the photographs dwell in the in-between: unfinished rooms, corners charged with intention, gestures of care and improvisation.The work embraces imperfection and reconsiders what it means to inhabit, to build, and to belong.